James Pradier (1790-1852), The Three Graces, The Louvre (Photo by Ward Serrill)

 

Heliodora, by HD (c.1922)

He and I sought together,
over the spattered table,
rhymes and flowers,
gifts for a name.

He said, among others,
I will bring
(and the phrase was just and good,
but not as good as mine)
“the narcissus that loves the rain.”

We strove for a name,
while the light of the lamps burnt thin
and the outer dawn came in,
a ghost, the last at the feast
or the first,
to sit within
with the two that remained
to quibble in flowers and verse
over a girl’s name.

He said, “the rain loving,”
I said, “the narcissus, drunk,
drunk with the rain.”

Beata Beatrix, Dante Gabriel Rosetti (1864-1870), Tate Gallery

Yet I had lost
for he said,
“the rose, the lover’s gift,
is loved of love,”
he said it,
“loved of love;”
I waited, even as he spoke,
to see the room filled with a light,
as when in winter
the embers catch in a wind
when a room is dank:
so it would be filled, I thought,
our room with a light
when he said
(and he said it first)
“the rose, the lover’s delight,
is loved of love,”
but the light was the same.

Then he caught,
seeing the fire in my eyes,
my fire, my fever, perhaps,
for he leaned
with the purple wine
stained in his sleeve,
and said this:
“Did you ever think
a girl’s mouth
caught in a kiss
is a lily that laughs?”

Venus Verticordia, Dante Gabriel Rossetti (1868), Russell-Cotes Art Gallery and Museum, Bournemouth

Venus Verticordia, Dante Gabriel Rossetti (1868), Russell-Cotes Art Gallery and Museum, Bournemouth

I had not.
I saw it now
as men must see it forever afterwards;
no poet could write again,
“the red-lily,
a girl’s laugh caught in a kiss;”
it was his to pour in the vat
from which all poets dip and quaff,
for poets are brothers in this.